IShowSpeed and Hegemony: An Ideological Critique of Native American Representation in the Speed Does America Tour

Presenter(s)

Julien Ponsolle

Abstract

The media's creation and reinforcement of malignant Native American identities is an expression of hegemonic American ideology. While the hegemony of traditional media is well understood in its shaping of indigenous identity, fewer criticisms have been directed towards increasingly influential social media personalities that constitute the "new media." Further, contemporary indigenous tourism research often considers power dynamics in tourism without consideration for its mediated manifestations. This essay focuses on IShowSpeed, or Darren Watkins Jr., and his highly successful 24-hour, 35-day Speed Does America tourism livestream broadcasted on Twitch and YouTube. Using ideological critique and drawing from ethical standards described in indigenous tourism research, this essay will analyze and evaluate interactions with and around Native American hosts. Readers will understand how online personalities like Watkins can challenge and reinforce ideologically created identities, potentially influencing the way in which their audiences perceive the world.

College

College of Liberal Arts

Department

Communication Studies

Campus

Winona

First Advisor/Mentor

Adam Gaffey

Location

Kryzsko Great River Ballroom, Winona, Minnesota; United States

Start Date

4-23-2026 1:00 PM

End Date

4-23-2026 2:00 PM

Presentation Type

Poster Session

Format of Presentation or Performance

In-Person

Session

2a=1pm-2pm

Poster Number

51

Comments

Ponsolle, Julien C

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Apr 23rd, 1:00 PM Apr 23rd, 2:00 PM

IShowSpeed and Hegemony: An Ideological Critique of Native American Representation in the Speed Does America Tour

Kryzsko Great River Ballroom, Winona, Minnesota; United States

The media's creation and reinforcement of malignant Native American identities is an expression of hegemonic American ideology. While the hegemony of traditional media is well understood in its shaping of indigenous identity, fewer criticisms have been directed towards increasingly influential social media personalities that constitute the "new media." Further, contemporary indigenous tourism research often considers power dynamics in tourism without consideration for its mediated manifestations. This essay focuses on IShowSpeed, or Darren Watkins Jr., and his highly successful 24-hour, 35-day Speed Does America tourism livestream broadcasted on Twitch and YouTube. Using ideological critique and drawing from ethical standards described in indigenous tourism research, this essay will analyze and evaluate interactions with and around Native American hosts. Readers will understand how online personalities like Watkins can challenge and reinforce ideologically created identities, potentially influencing the way in which their audiences perceive the world.