Description

Dolphins and other cetaceans (marine mammals) have seen a surge of environmental advocacy in the decade since The Cove (2009) emerged. Drawing upon Western popular culture texts such as the popular film and television series, Flipper (1963), The Cove seeks to flip or reframe our cultural understanding of dolphins from friends to victims in need of help. In this essay, I argue that The Cove is an exemplar eco-doc that employs an intertextual dialogue to facilitate a multi-media outreach campaign that changed public perception of dolphins and lead to dolphin advocacy efforts. By analyzing how The Cove incorporates and challenges the interspecies friendship trope and then investigating the ways the film and outreach integrate aspects of the action-thriller plot, I demonstrate how intertextuality facilitates a revised, urgent advocacy message designed to raise awareness and generate action to stop dolphin over-exploitation.

Publication Date

1-1-2020

Publisher

Environmental Communication, Routledge

Keywords

Visual rhetoric;

Department

Communication Studies

Comments

ENVIRONMENTAL COMMUNICATION, 2020, VOL. 14, NO. 5, 628–640 https://doi.org/10.1080/17524032.2019.1699134

Unique Identifier

2020-Lind Flipping the Script

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